Showing posts with label Reviews. Show all posts
Showing posts with label Reviews. Show all posts

Playtime's Over

Posted by Andrew Groves | Posted in | Posted on Wednesday, August 04, 2010


"Somewhere in that pad of stuffing is a toy who taught me that life's only worth living if you're being loved by a kid." - Buzz Lightyear, Toy Story 2

I was six years old. "Boys! Dinner's ready!" yelled my mother. I hurriedly tossed my Thomas the Tank Engine toys to the floor and bolted out of my bedroom. But before I left for the kitchen, there was one more thing I had to do. Quietly, I crept back down the hallway toward my bedroom door. Ever so carefully, I cracked the door open and peered inside.

Could it be? Were my toys really alive?

Seeing no movement, I resigned with a sigh, closing the door and scampering back toward the kitchen.

This is the impact that Toy Story had on me as a child. I distinctly remember sitting in the movie theater as the film unfolded, enthralled with the story of these fiercely loyal toys. Something about them resonated with me. Maybe it was their tenacity. Maybe it was their humor. Or maybe, just maybe, it was their unwavering devotion to one another and to their owner, Andy.

Four years later, Toy Story 2 was released, and you cannot imagine my numerous concerns prior to viewing the film. As a ten year-old, I was still very attached to Woody, Buzz, and the gang. 'What if this new movie ruins these characters forever?' I worried. To my relief, Toy Story 2 did just the opposite. It expanded the characters—gave them depth. The film took our playtime heroes on new and exciting adventures while still remaining faithful to the original film. That's a tall order these days, but the folks at Pixar seem to accomplish this task with ease.

Can Pixar make a bad movie?

'Time will tell,' I thought as news of a second sequel hit the Internet in late 2008. Once again, my nervous pessimism kicked in, and as the release date for Toy Story 3 drew near, my inhibitions about the film increased exponentially. Finally, I bit the bullet, bought a ticket, donned my 3-D glasses, and settled into my seat, fully prepared for the disappointment to come. But then, something amazing happened.

The movie started.

And two hours later, I was wiping the tears off my 3-D glasses. Pixar did it again. With skill and ease, they crafted a fitting end to the Toy Story saga—one that they can be proud of.

In Toy Story 3, our playtime heroes face some of their biggest obstacles yet. This is not merely a happy-go-lucky tale; rather it is a tale filled with angst and uncertainty. As Andy leaves for college, the toys have to make some tough decisions that will affect their future. Disagreement and bickering ensue, and relationships are strained. Woody and Buzz's friendship is pushed to the brink, more so than any other Toy Story film. Their journey is a hard one, fraught with danger and disappointment. And on this journey, the toys look hell in the face and prepare themselves for the worst. This movie is not for the faint of heart or the young of age.

But let me be clear. There are moments of humor and fun in Toy Story 3. The film is not overly morose. However, I would venture to say that this film is the most dramatic of the Toy Story films, and with good reason. As life with Andy fades into oblivion, the toys' decisions become all the more crucial to their survival. These are life and death decisions being made, and to put it frankly, none of the characters are 100% sure what to do. That is what makes this film compelling to watch. These computer-animated hunks of plastic are dealing with real-life issues that we deal with every day. And, like us, they argue about what to do next in the face of uncertainty. Pixar has fashioned these fictional characters to be mirrors of ourselves, and that is why this film is truly remarkable.

I won't spoil the ending of the movie for you, but I will say this: Pixar closes the curtain on the Toy Story saga with class. Honestly, if you had asked me before viewing the film what the perfect ending for Toy Story 3 would be, I wouldn't have been able to give you an answer. But the folks as Pixar hit the nail on the head. They continue to confound my expectations and churn out good, solid, compelling stories.

Can Pixar make a bad movie? Well, they haven't yet.

RATING: 5 (out of 5)

Instead of Goodbye by Eugene & Doris

Posted by Andrew Groves | Posted in | Posted on Friday, November 06, 2009

Three close friends of mine at Asbury (Christian Loftus, Lauren Wallace, and Faith Shaw) are in a band called Eugene & Doris. Just yesterday, they released their first full-length album entitled Instead of Goodbye... and it's awesome.

And you can get it for free.

Check them out on Facebook, MySpace, and NoiseTrade. If you want to download their album now, see the widget below. Wow... this post has way too many techie terms! Oh well... if you want some good music, look no further than Eugene & Doris.

North! Or Be Eaten

Posted by Andrew Groves | Posted in | Posted on Thursday, August 20, 2009

Readers thrilled to the phantasmagorical adventures in On the Edge of the Dark Sea of Darkness, Book 1 of the Wingfeather Saga. Now in Book 2, Janner, Tink, and Leeli Igiby, mom Nia, ex-pirate grandfather Podo, Peet the Sock Man, and trusty dog Nugget flee north to rebel headquarters.

Their escape brings readers to the very brink of Fingap Falls, over the Stony Mountains, and across the Ice Prairies while villains galore try to stop the Igibys permanently. Fearsome toothy cows and horned hounds return along with new dangers: a mad man running a fork factory, a den of rockroaches, and majestic, talking sea dragons.

Andrew Peterson's lovable characters create what FantasyBookCritic.com says made Book 1 "one of the best fantasy novels in a very long time," and Book Two contains even more thrills, exploring "themes universal in nature, ranging from the classic good versus evil, to the importance of family, and burdens of responsibility."


If you'd like to purchase North! Or Be Eaten, visit the following link!

Keep Your Eyes Peeled for 'Parenthood'

Posted by Andrew Groves | Posted in | Posted on Sunday, July 12, 2009

My oldest brother brought this show to my attention, and now I'm bringing it to yours! In the last few years, NBC has hosted some of the worst dramas on television (My Own Worst Enemy, Kings, Knight Rider). So you'd imagine my surprise when NBC's 'Parenthood' piqued my interest. In the beginning, it was strictly because of the people involved. Ron Howard (Frost/Nixon, Apollo 13, A Beautiful Mind) and Brian Grazer (24, Arrested Development, Shark) are the executive producers, Thomas Schlamme (Sports Night, The West Wing, Studio 60) is directing, and the cast is chock full of some great actors like Peter Krause (Sports Night) and Craig T. Nelson (The District).

So, I thought, at least some great people are working on it! Then I watched this promo, and now I'm hooked. Keep your eyes peeled for this show as it has been pushed back for a midseason premeire on NBC!

Clutter-Free Christianity

Posted by Andrew Groves | Posted in | Posted on Wednesday, April 01, 2009

The following is a review of a new book by Robert Jeffress called Clutter-Free Christianity. Check it out!


Summary

When did the Christian life become so complicated?

Your greatest desire is to please God, but with each passing week, your spiritual to-do list grows longer. As you strive to fulfill a never-ending inventory of requirements for being a godly parent, spouse, voter, employee, and more, you feel increasingly disconnected from the God you're trying to serve.

It's time to cut through the clutter and get to the heart of what it means to please God. In this liberating look at the core principles of faith, Dr. Robert Jeffress reveals the truth about what God really wants from you--and what he wants to do for you.

Through solid biblical teaching and practical insights, Dr. Jeffress points you toward a revitalized faith centered on becoming more like Jesus in action, attitude, and affection. You'll learn how to partner with God in the process of spiritual transformation as you choose to follow Christ in forgiveness, obedience, trust, contentment, service, and prayer.

Through a renewed focus on experiencing the kingdom of God right now, you'll find your to-do list shrinking and your spiritual life deepening. It all come with embracing Clutter-Free Christianity.

Includes a Bible study guide for personal growth and group discussion.

Hosea

Posted by Andrew Groves | Posted in , | Posted on Sunday, October 19, 2008



Andrew Peterson's newest project, Resurrection Letters, Vol. II, is replete with images of brokenness and redemption. With rich lyrics and lush musical arrangements, this album displays the unique talents of singer/songwriter Andrew Peterson in a new light. His most powerful song, in my opinion, is his retelling of the tale of the prophet Hosea. Here's what Peterson says about it:

"The Old Testament story of Hosea paints a powerful picture of the stubborn, pursuing, renewing love of God. Hosea is told by God to marry a runaround, no-good, heartless woman. Hosea obeys, and I can’t help thinking that he must not have enjoyed it much. He was probably humiliated, scorned by his friends, not to mention heartbroken by his new wife, Gomer. Even Noah, though mocked for building a giant boat in the middle of a desert, at least kept a little dignity, could feel like a man. But there was Hosea, alone in bed while his wife caroused, and everyone knew it. All because God wanted to make a point. After Gomer ran off with another man, God sent Hosea to buy her back and bring her home. Then God said about Israel, about us, dead in our sin: “…I am now going to allure her; I will lead her into the desert and speak tenderly to her. There I will give her back her vineyards, and will make the Valley of Achor a door of hope. There she will sing as in the days of her youth…” The word Achor means “trouble”. From the ashes of the Valley of Trouble came new life, green and lush. Forgiveness. Rest. Resurrection." -Andrew Peterson

You can listen to the song above by clicking the play button. Enjoy.

Here are the lyrics:

Hosea by Andrew Peterson
Every time I lay in the bed beside you, Hosea, Hosea
I hear the sound of the streets of the city
My belly growls like a hungry wolf
And I let it prowl till my belly's full
Hosea, my heart is a stone

Please believe me when I say I'm sorry, Hosea, Hosea
Oh, you lovable, gullible man
I tell you that my love is true
Till it fades away like a morning dew
Hosea, just leave me alone

Here I am in the Valley of Trouble
Just look at the bed that I've made
Badlands as far as I can see
There's no one here but me, Hosea

I stumbled and fell in the road on the way home, Hosea, Hosea
I lay in the brick street like a stray dog
You came to me like a silver moon
With the saddest smile I ever knew
Hosea carried me home again, home again

You called me out to the Vally of Trouble
Just to look at the mess that I've made
A barren place where nothing can grow
One look and my stone heart crumbled--
It was a valley as green as jade
I swear it was the color of hope
You turned a stone into a rose, Hosea

I sang and I danced like I did as a young girl, Hosea, Hosea
I am a slave and a harlot no more
You washed me clean like a summer rain
And you set me free with that ball and chain
Hosea, I threw away the key

I'll never leave

The Dark Knight Soars

Posted by Andrew Groves | Posted in | Posted on Wednesday, August 06, 2008

When “Batman and Robin” was released eleven years ago, moviegoers shuddered as they watched their dark knight succumb to ridiculousness right before their eyes. The film, riddled with cheesy one-liners and ridiculous gags, seemed to extinguish any hope of a solid series.

Until now.

Director Christopher Nolan’s Batman series has successfully rebooted the franchise, as evidenced by its latest film “The Dark Knight.” In the film, Gotham City’s famous caped crusader returns to face his ultimate nemesis: the Joker. The realistic take on the Batman universe set forth in “Batman Begins” continues in the sequel, but with a much darker tone. Batman faces an epic struggle between good and evil… order and chaos. The lines he has drawn have suddenly become blurred, and he must decide whether his role as the protector of Gotham is an asset or a danger.

The Joker, played by the late Heath Ledger, is a twisted anarchist bent on wreaking havoc across Gotham. Ledger’s chilling performance is breathtaking, underscoring his unique ability to fully inhabit a character. When you watch him slither across the screen, you don’t see Heath Ledger; all you see is… the Joker. And it isn’t his grin-shaped scars or his grungy appearance that makes him so frightening. It’s his motivation: “I am an agent of chaos.” Ledger’s Joker has no agenda. He’s not in it for money or power. The Joker is the ultimate embodiment of chaos. He thrives on disorder and panic. As Bruce Wayne’s loyal butler Alfred puts it, “Some men aren’t looking for anything logical… They can’t be bought, bullied, reasoned or negotiated with. Some men just want to watch the world burn.”

Even more unnerving is the Joker’s delight in inflicting pain, whether on himself or on those around him. While being thrashed by Batman in an interrogation room, he continues to taunt the dark knight, laughing all the while. The more Batman pummels him, the more he enjoys it. The Joker’s deadly instruments range from pencils to pistols, but his signature weapon is a knife. He uses knives because “guns are too quick. You can’t savor all the little emotions.” And savor he does. Every time he employs this weapon, he asks his victim, “Wanna know how I got these scars?” Then he delves into some horrific story about his scars, embellishing it to terrorize his victim. This Joker is no joke.

Christian Bale reprises his role as Bruce Wayne / Batman in the film and delivers a solid performance. Batman’s struggle to confront the Joker without sinking to his level permeates the plot, allowing Bale to explore a much deeper level of the character than before. The caped crusader is driven to the brink of darkness in his quest to bring order to Gotham. Bruce Wayne’s words, “Batman has no limits,” ring hollow as the city he has sworn to protect is going up in flames. For the first time, the mortality of Batman is on display. The incredible angst after Rachel Dawes’ death makes the struggle even more poignant, as Batman must avenge the death of someone he loves.

Aaron Eckhart’s portrayal of Harvey Dent is excellent, but his transformation into the coin-flipping murderer Two-Face is less believable. Dent’s love for Rachel Dawes is shown in the film, but it isn’t developed thoroughly. Thus, when she is murdered, his vengeful alter-ego is hard to take seriously. Also, the burnt half of Two-Face is just a little bit over the top. Nonetheless, that is my only bone to pick with the film.

While the film is titled “The Dark Knight,” the Joker is the one who steals the show. Ledger creates a comical, yet creepy villain that will be remembered for years to come. His performance is absolutely Oscar worthy, and this movie wouldn’t have been the same without him.

The movie ends with Batman taking the blame for Harvey Dent’s string of murders. “I’m whatever Gotham needs me to be,” Batman declares to Gordon. He adds, “Sometimes, truth isn’t good enough; sometimes people deserve more. Sometimes people deserve to have their faith rewarded.” But this movie raises several important questions. While it is noble, almost Christ-like, to take the blame for someone else’s actions, isn’t Batman just perpetuating a lie? Can he assume to know what is best for Gotham? Is withholding the truth really the right thing to do? We are left without answers as the manhunt for Batman begins.

But that’s okay, because some of the greatest movies aren’t meant to answer questions, but raise them.
RATING: 5 (out of 5)

Love As a Way of Life

Posted by Andrew Groves | Posted in | Posted on Friday, July 18, 2008

Recently, I came across a new book by Gary Chapman called Love As a Way of Life. I haven't finished reading it yet, but what I have read is full of practicality and spiritual truth. Below is a book summary and a special interview with the author himself. Enjoy!

Summary
For decades Dr. Gary Chapman’s best-selling books have shown readers how to speak the “love language” of those they care about. Now he digs even deeper to uncover the foundations of what it means to cultivate a lifestyle of love and how doing so leads to satisfaction and success in every area of life.

Drawing fresh insights from timeless biblical principles, Chapman presents poignant stories of real people who have discovered the joys of living out the seven characteristics of authentic love: kindness, patience, forgiveness, humility, courtesy, generosity, and honesty. Enhanced with eye-opening self tests, practical ideas for building daily habits of love, and inspiring examples of love’s power to change lives, this book guides readers in putting love to work in all of their interpersonal relationships.

Convinced that in a world of constant conflict people desperately need authentic love, Chapman paints a compelling vision of how life can be richer and relationships more satisfying for anyone who practices Love As a Way of Life.

Interview with Gary Chapman
1. Can you describe some of the everyday situations that can be changed if a person has a foundation of love?
When love becomes the focus of ones life it will change every encounter we have with people. In the family, the husband is thinking, “what can I do before I leave for work that would be helpful for my wife?” Such thinking may lead him to take the trash out, put his breakfast plates in the dishwasher or feed the baby while his wife takes a shower.

In the workplace, employees are asking, “on my break, what might I do that would help someone else?” They will also make time to listen to a co-worker who seems to be having a hard time with a personal issue.

At the bank, post office, or cafeteria, the lover will look people in the eye and smile, perhaps opening the door to a conversation. They will express interest in what is going on in the lives of those they encounter.

The focus is not on “it’s all about me.” But, rather on “It is all about others.”

2. What is the take-away message of Love as a Way of Life?
Love as a Way of Life is designed to help the person who sincerely wants to make a positive impact in the world. I believe that is ‘most of us.’ Our biggest problem is that we don’t know how and we keep getting tripped up by our own selfish ambitions. The purpose of the book is to help us break free from the prison of selfishness and come to experience the satisfaction of truly loving others as a way of life. It is little acts of love that build up to a lifestyle of service.

3. Why do you need a foundation of love before you start figuring out our love languages?
The five love languages give information on the most effective way to express love in a meaningful way to a particular person. But, if you are not a loving person – don’t have the heart or will to focus on others – the information is of little value. Most of us must make a conscious change of focus from self to others if we are going to genuinely, and consistently enrich the lives of others. Love as a Way of Life is designed to help people make that change.

4. When did you realize the need for this book?
I first recognized the need for Love as a Way of Life when in a counseling session a husband said to me, “I’ll tell you right now, if it is going to take my washing dishes, and doing the laundry for my wife to feel loved, you can forget that.” I had just explained to him the concept of the five love languages and that his wife’s primary love language was ‘acts of service’ and that these acts would deeply communicate his love to her. I realized that he lacked the will to meet his wife’s need for love. He was locked into his own perception of what his role was to be and it did not include washing dishes and doing laundry. I knew at that moment that there was something more foundational than simply knowing a person’s love language.

5. What are the seven characteristics of lasting love?
I view love not as a single entity, but as a cluster of traits, which if developed will enhance all of life. These traits are:
Kindness: discovering the joy of helping others
Patience: accepting the imperfections of others
Forgiveness: finding freedom from the grip of anger
Courtesy: treating others as friends
Humility: stepping down so someone else can step up
Generosity: giving your time, money, and abilities to others
Honesty: caring enough to tell the truth

6. Why do you think it’s so hard for people to embrace these characteristics?
All of us have some of these characteristics to some degree. Most people see love as being better than hate. But most of us are comfortable to live somewhere between love and hate in a lifestyle that is fundamentally focused on self. We feel good when we are making money, accumulating things, gaining status, but in time these things do not ultimately satisfy what I call the ‘true self’. The true self longs to make the world a better place to live. To do something to help those less fortunate than we.

However, we all suffer from the malady of being ego-centric. I call this the ‘false self’. It is that part of man that pulls him to focus on self-preservation and a self-centered lifestyle. This is not all bad. Indeed we must meet our own physical and emotional needs in order to continue life. It is when we never get beyond this self focus, that life becomes a ‘dog eat dog’ world where everyone is out for self even at the expense of others. Such a life never brings long-term satisfaction. However it is often later in life that people discover the emptiness of selfish living. I’m hoping that Love as a Way of Life will help people discover the satisfaction of developing the ‘true self’ earlier in life.


If you'd like to learn more about Gary Chapman's new book, Love As a Way of Life, visit the link below!
http://www.amazon.com/Love-Way-Life-Transforming-Aspect/dp/0385518587/ref=pd_bbs_sr_1?ie=UTF8&s=books&qid=1215792028&sr=1-1

Hello, WALL-E!

Posted by Andrew Groves | Posted in | Posted on Monday, June 30, 2008

WARNING: This review contains material that may spoil the movie for you. If you haven't seen the movie and plan to, stop reading now.


Robots in love… Sounds like the premise of a cheesy B movie from the fifties. But Disney / Pixar’s newest film “WALL-E” is one of the most delightful and heartwarming films of the summer. Once again Pixar Animation Studios has churned out a quality family film in the ranks of “Toy Story,” “Monsters, Inc.,” and “Cars.” Who ever thought that a love story between two robots could be so touching on such a human level? From the opening titles to the closing credits, all eyes are on the lonely trash compacter named WALL-E as he searches for meaning in his existence.

The movie opens by introducing our mechanical protagonist as he goes about the work of cleaning a desolate and deserted planet Earth. The last surviving Waste Allocation Load Lifter Earth-Class (WALL-E) unit, WALL-E lives alone with his pet cockroach. Over time, he develops a curious personality, sifting through rubble to find interesting knick-knacks. Among them is a videotape of the film “Hello, Dolly!” that introduces WALL-E to the concept of love and its expressions. Thus, when a female robot named EVE (Extraterrestrial Vegetation Evaluator) visits the planet, WALL-E is immediately star struck. What follows is a tale of excitement and wonder as WALL-E pursues EVE across the galaxy to gain her love.

What is most impressive about the film is the way that emotions are conveyed so plainly with so little dialogue. This story is simple, yet compelling and doesn’t need more dialogue to develop the characters. Sound engineer Ben Burtt (“Star Wars”) electronically constructed almost all of the robot chatter in the film. Aside from an assortment of beeps and blurps, a few human characters speak as well. Burtt’s work combined with the animation from Pixar creates a film that is worth seeing again and again.

Once again, the people at Pixar have displayed their seemingly endless creativity in “WALL-E.” They continue to confound expectations by continuing to make quality family films one after another. “WALL-E” is a heartwarming feature that surprises and awes. It is full of laughter, romance, and hope. This visually stunning tale transports you into the imagination where true love is cherished above all else… whether you’re a human or a robot.
RATING: 5 (out of 5)

Shyamalan's Just Not Happening Anymore

Posted by Andrew Groves | Posted in | Posted on Wednesday, June 18, 2008

WARNING: This review contains material that may spoil the movie for you. If you haven't seen the movie and plan to, stop reading now.


I settled into my seat and tried desperately to quell my excitement during the endless pre-movie ritual known as the previews. After each preview I expected the movie to start, only to be shown another preview. For fifteen minutes this ensued, until I could take it no longer. Finally, the lights dimmed a bit, the theatre grew quiet, and I leaned back in my chair to enjoy M. Night Shyamalan's newest thriller "The Happening."

Now, I wish the previews had never stopped.

"The Happening" suffers on so many levels that it's hard to know where to begin. The magic, if you'd like to call it that, is gone. If you've seen some of Shyamalan's earlier films, ("Unbreakable," "Signs," "The Village") you can easily recognize the ethereal, mystical qualities. Shyamalan is known for leading his audience down paths of the unknown, where some questions are answered, but most are not until the very last instant. His previous films have also contained deep character studies that highlight the authenticity of his characters. In "Signs," Graham Hess' grief after the loss of his wife is so... real. When you watch the film, you understand Graham at a much deeper level because you relate to him. Not so in "The Happening," as Elliot Moore (played by Mark Wahlberg) doesn't deal with any major emotional issues at all in the film. With the exception of a few spats with his wife and the typical emotional distress found in disaster scenarios, this film fails to engender any emotional attachment from the audience.

Part of the problem lies in the acting, which is some of the worst I've seen in a summer blockbuster. An actor or actress in a Shyamalan movie is expected to react to supernatural events in a believable or coherent way. In reviewing Shyamalan’s previous movies, we would discover this to be true. But in "The Happening," something went wrong. Elliot Moore (Wahlberg) sounds like a child afraid of the dark. Often, his tone of voice borders more on whining than panic. And his wife, played by Zooey Deschanel, is just plain odd. Her character is as inconsistent as the changing winds that threaten to destroy her family.

Shyamalan's initial concept for the film was to answer this question: "What if nature turned against mankind?" An interesting question. However, his way of answering this question is both gruesome and non-suspenseful. It's like a bad mixture of "I Am Legend" and Spielberg's revamped "War of the Worlds." The film begins in Central Park, as some kind of chemical toxin is rewiring people's brains to kill themselves. We see these suicides throughout the movie, from a girl jabbing a hairpin in her neck, to construction workers leaping off buildings, to a man lying underneath a lawn mower. The gruesome sights are completely gratuitous and only produce disgust for the movie. M. Night Shyamalan's first R-rated movie? I wonder why. In addition, the cause of the manic-inducing toxin is correctly attributed to nature about thirty minutes into the film. There is no race to find out what's really happening, because we've already figured it out. It also feels like Shyamalan takes every opportunity to explain how it’s happening, why it’s happening, and how to escape "The Happening." There are no real twists and turns... just running and hiding in this film.

"The Happening" is also incredibly preachy. The only singular message of the movie I could find is, "You shouldn't pollute because it hurts the environment. After all, the environment might get angry and try to kill you, so watch out!" In a scene where Elliot and friends join up with some strangers to escape the toxin, the background clearly illustrates this message. The kooky strangers own a greenhouse, in contrast to the giant factory smokestack a few miles behind their house. In addition, the movie ends in hopelessness, as we see this event beginning to occur around the world with no feasible solution. You walk away from the movie saying, "Well, that's kind of depressing."

While Shyamalan presented early signs of becoming an unbreakable blockbuster director, in the same village as directors like Alfred Hitchcock and Steven Spielberg, my sixth sense is telling me that something peculiar has been happening in his more recent films, beginning with "Lady in the Water." (Read that sentence again...) If "Lady in the Water" signaled the director's departure from what made his previous movies great, then "The Happening" confirms that the old M. Night Shyamalan is gone for good. Apparently, his next movie will be a live-action version of a Nickelodeon cartoon show.

What is happening to M. Night Shyamalan? Maybe he breathed in some of that chemical toxin because it looks like he’s committing career suicide.
RATING: 1 (out of 5)

Fatal Deduction

Posted by Andrew Groves | Posted in | Posted on Friday, June 06, 2008

Gayle Roper's latest book, Fatal Deduction, provides a simple yet pleasurable experience to the average reader. Not quite as thrilleresque as the title suggests, this story is rooted more in who the characters are than the events surrounding the characters. When strange events begin to transpire around the main character Libby Keating, her true person is revealed and explained. The mystery of the crossword clues provides a framework by which Libby and the other characters can be fleshed out, allowing the reader to better understand the characters' decisions and actions.

Libby is an excellent example of a true Christian that struggles with past events and present decisions. So often in Christian literature, the Christian protagonist is presented as flawless or incorruptible. Not so in Fatal Deduction, as Libby's heart is in the right place, but her decisions are not always upright. Several times in the book, the reader hears Libby's thoughts about her self-centered sister, her impolite daughter, and her corrupt father and grandfather. During these thought processes, Libby often realizes that her thoughts are not God-honoring and prays for forgiveness. With the aid of her newfound Christian neighbor Drew Canfield, Libby is able to learn to forgive those who have wronged her just as her Heavenly Father forgave her.

All in all, Fatal Deduction is able to provide sound Biblical lessons in the form of a pulse-pounding, page-turning murder mystery. Gayle Roper weaves a story full of real-life characters, extraordinary plot twists, and moral guideposts that bring enjoyment to any reader.
RATING: 2.5 (out of 5)


If you'd like to learn more about Gayle Roper's new book, Fatal Deduction, visit the links below!
http://www.gayleroper.com/

http://www.amazon.com/Fatal-Deduction-Gayle-Roper/dp/1601420137/ref=pd_bbs_sr_1?ie=UTF8&s=books&qid=1212806398&sr=8-1

Indiana Jones and the Kingdom of the Overblown Sequel

Posted by Andrew Groves | Posted in | Posted on Tuesday, May 27, 2008

WARNING: This review contains material that may spoil the movie for you. If you haven't seen the movie and plan to, stop reading now.
Well, the time has come for me to review the highly anticipated movie "Indiana Jones and the Kingdom of the Crystal Skull." After almost twenty years, everyone's favorite archaeologist adventurer returned to the silver screen this past Thursday. His reception thus far has been less than stellar, but for good reason. Indiana Jones has fallen prey to excessive special effects and bad writing.

It seems that the George Lucas trend of redoing good, old movies badly has carried over into this new film, much to my dismay. Recently, Lucas has relied heavily on special effects rather than story in his films, a strategy that has proved unsuccessful three times in a row with his Star Wars prequels "The Phantom Menace," "Attack of the Clones," and "Revenge of the Sith." The same is true of Indiana Jones, I'm afraid. Extravagant CGI backgrounds populate the film and distract from rather than enhance the plot. The action sequences are so extreme that the element of realism is lost. While the previous Indiana Jones movies certainly weren't known for their realism, an element of belief existed in the audience that these events were truly happening to the title character. Not so in "Crystal Skull," as Indy survives a nuclear blast by hiding in a refrigerator, escapes debris flying through the Amazon by simply ducking his head, and goes over three waterfalls with hardly a scratch.

The new film also lacks the quick-witted writing found in the previous films. The father-son duo in The Last Crusade is reciprocated in this film with the introduction of Mutt Williams, Indy's son. But the chemistry that existed between Harrison Ford and Sean Connery does not carry over into this new relationship. With the exception of a few humorous asides, Mutt and Indy barely bond at all in the movie. Reintroducing Marion Ravenwood (now Williams) was a nice idea, but the spunky and adventurous Marion we all came to love in "Raiders of the Lost Ark" is reduced to a minor character who swoons at Indy’s every word in “Crystal Skull.” Their marriage at the end of the movie adds insult to injury as a tamer, more family friendly Indy is unveiled.

In addition, the villains in the new film are more eccentric than evil. Leading the group of Soviet soldiers is Irina Spalko, a Russian “scientist” of the paranormal, played by Cate Blanchett. Indy’s finicky sidekick Mac is equally odd as he switches loyalties about every ten minutes or so. Both characters can’t even compare with the treacherous archaeologist Belloq, the creepy Nazi named Toht, the savage Thuggee cult, or the double-crossing Elsa Schneider from the previous movies. Whenever Indy is captured, you don’t fear for his safety because Spalko and her minions aren’t that frightening to begin with. Throughout the movie, it seems as if Indy is eager to help the bad guys because of his curiosity regarding the skull. Whatever happened to the old Indy―the one who was willing to blow up the Ark of the Covenant just to save his girl?

Also, the movie’s plot is the most confusing and farfetched in the series thus far. With “Crystal Skull,” the series has strayed away from its supernatural roots into the extraterrestrial. The movie’s climax is a mixture of “Raiders of the Lost Ark,” with Spalko being consumed by flames, and “Close Encounters of the Third Kind,” with the aliens departing from our dimension to explore the “space between spaces,” whatever that means. The rest of the movie consists of Indy and Mutt stumbling through curiously well lit tombs to put the pieces of the puzzle together.

The only positive thing I can say about the film is that Harrison Ford has still got it. He can pull off Indiana Jones, even at age 65. The opening chase through Area 51 reassures us that Indiana Jones can still get it done. But can we put up with all the other garbage they crammed into this movie? Sadly, no. Harrison Ford’s performance isn’t enough to salvage “Indiana Jones and the Kingdom of the Crystal Skull.” It seems that the series will forever have an ugly stepchild tacked onto it. On a more personal note, I was incredibly disappointed with this movie. As I texted my brother after watching the film, “I need to cleanse my movie-watching palate; there’s a bitter aftertaste in me.” Let’s hope that the bitter aftertaste isn’t prolonged by another overblown sequel in the future.
RATING: 1 (out of 5)

On the Edge of the Dark Sea of Darkness

Posted by Andrew Groves | Posted in | Posted on Thursday, March 20, 2008

"When your spirit is hovering over the deep,
In the image of God just look into that darkness and speak."
-Andrew Peterson
"Let There Be Light"
Love and Thunder

Andrew Peterson fulfills these lyrics as he creates a world of surprise, suspense, and wonder in his first novel, On the Edge of the Dark Sea of Darkness. Peterson, a master storyteller, transports the reader to a place where the imagination rules supreme. Filled with tales of flabbits and Fangs, bards and bookstores, and dragons and dynasties, this book compels its audience to dream as a little child.

Overflowing with original songs and poems, humorous footnotes, and appendices, this carefully constructed tale brings laughter and enjoyment to any reader. Peterson enhances the story with memorable characters such as Podo the grandfather pirate, Peet the Sock Man, and Armulyn the Bard. His vivid descriptions of faraway lands paint word pictures that tug at the imagination. And the timeless truths presented in this book spark noteworthy thought and discussion.

Just as Andrew Peterson's songs contain reflective expressions of truth, this novel leads its readers down a pathway of discovery. Discovery of innocence, hope, and courage. On the Edge of the Dark Sea of Darkness reminds us to look beyond the present to the endless possibilities that await us. Possibilities not yet imagined...
RATING: 4 (out of 5)


If you'd like to learn more about Andrew Peterson's new book, On the Edge of the Dark Sea of Darkness, visit the links below!
http://www.andrew-peterson.com/
http://www.amazon.com/exec/obidos/ASIN/1400073847